- Music at start builds tension.
- POV-ECU at bare flesh - has marker pen lines on it as if in plastic surgery.
- Camera wobbling and flesh is moving.
- 'Baby like' music is played to give a sick sense of horror and tension.
- Door seen opening at foot level which a 'freaky' squeak into a room with a blue tint to show coldness and scariness.
- Shot goes back to the ECU of flesh then pans to the right and up to a female face to confirm it's a body.
- They're gagged and a muffled scream is heard from them then footsteps coming towards them in the background.
- Shot under his arm focused on a table with sharp and blunt. rusty and bloodied metal impliments on it.
- CU of victim showing them sweating maniacally and crying - their face is covered in dirt and blood.
- Still shot of an overhead hook.
- Medium shot, pans down her body to show the lines that have been drawn on her - lines that 'show where to cut'.
- Hammer is raised in background of the shot and placed in the centre of her forehead - signifies where he is aiming at.
- He raises the hammer and brings is down towards her forehead quickly, the shot 'turns away' as it hits her head - signifies that it's 'too gruesome to watch'.
- Music turns into one long drawn out note to increase tension.
- The note ends as the hammer hits her head and a crunching noise is heard to 'shock audience'.
Wednesday, 26 January 2011
Babysitter Wanted (2008 - Jonas Barnes & Michael Manassen) - Deconstruction
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some nice detail here - make sure to show/state which aspects of this are influencing your filming ideas/approach
ReplyDeletepost title's too long - put director info in the post, not its title
and save then upload the image: its not showing on your blog, just a white box